"Mass of the Americas: IX. Salve regina" by Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks was released on September 23, 2022. With this song being about 5 minutes long, at 4:36, "Mass of the Americas: IX. Salve regina" by Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 12 in Frank La Rocca: Mass of the Americas by Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Mass of the Americas: IX. Salve regina is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass of the Americas: IX. Salve regina by Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Pilgrim Pavement | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra, Carys Lane, Ian Watson, Richard Hickox Singers | C Minor | 1 | 5A | 123 BPM | ||
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | ||
Stabat Mater, FP 148: VIII. Fac ut ardeat | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | D♭ Minor | 1 | 12A | 175 BPM | ||
Ubi Caritas II (Through Infinite Ages) | Ola Gjeilo, Westminster Williamson Voices, James Jordan | C Major | 1 | 8B | 138 BPM | ||
David's Lamentation | Joshua Shank, University Of South Dakota Chamber Singers, David Holdhusen | E Major | 0 | 12B | 129 BPM | ||
Ay, mi Dios | Pedro de Cristo, Coro de Câmara de Lisboa, Teresita Gutierrez Marques | B Minor | 7 | 10A | 97 BPM | ||
Fem Latinske Kirkekor: 3. Venite, Filii | Arild Sandvold, Schola Cantorum, Kåre Hanken | A Major | 1 | 11B | 78 BPM | ||
Preces and Responses | Joanna Forbes L'Estrange, London Voices, Grace Davidson, Ben Parry | D Major | 1 | 10B | 80 BPM | ||
Six Moravian Choruses: IV. Parting without Sorrow | Leoš Janáček, Cappella Amsterdam, Daniel Reuss | F Minor | 0 | 4A | 111 BPM | ||
Elijah, Op. 70: "Holy, Holy, Holy Is God the Lord" (Quartet & Chorus) | Felix Mendelssohn, Gabrieli, Emily Rowley Jones, Lucy Ballard, Ruth Gibbins, Samuel Boden, William Whitehead, Paul McCreesh | C Major | 1 | 8B | 140 BPM |