"Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir" by Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör was released on January 1, 2000. With Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Heinrich Kaminski, Gerd Guglhör's "Kaminski, H.: Choral Music" album is number 1 out of 25. Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir by Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat a 14 | Giovanni Gabrieli, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Munich Orpheus Choir, Cornets Noirs, Les, Gerd Guglhör | G Major | 1 | 9B | 117 BPM | ||
Mass No. 3 in C Major, Hob.XXII:5, "Missa Cellensis in honorem BVM", "Cacilienmesse": Gloria: Gloria: Allegro di molto | Joseph Haydn, Priska Eser-Streit, Anne Buter, Christoph Genz, Thomas Hamberger, Munich Orpheus Choir, Munich Neue Hofkapelle, Gerd Guglhör | C Major | 2 | 8B | 136 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Messe solennelle, Op. 16: II. Gloria | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | B♭ Major | 0 | 6B | 75 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: II. Gloria | Louis Vierne, Michel Bouvard | A Major | 2 | 11B | 76 BPM | ||
O sing joyfully | Adrian Batten, Voices of Ascension Chorus, Dennis Keene | A♭ Major | 1 | 4B | 128 BPM | ||
Orpheus: Act III: Unterwelt: Eurydike, fuhlst du den Tag, dem wir entgegenschreiten? (Orpheus) | Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tarez Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer | D Major | 1 | 10B | 94 BPM | ||
Tantum ergo, WAB 42 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM | ||
Wie Lieblich Sind Deine Wohnungen, Op. 35 | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | B♭ Major | 0 | 6B | 73 BPM | ||
Catarina Cornaro, Act III: Wohl dir! | Franz Paul Lachner, Simon Pauly, Kristiane Kaiser, Priska Eser-Streit, Mauro Peter, Bavarian Radio Chorus, Munich Radio Orchestra, Ralf Weikert | E♭ Major | 1 | 5B | 71 BPM |