"Magnificat a 14" by Giovanni Gabrieli, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Munich Orpheus Choir, Cornets Noirs, Les, Gerd Guglhör was released on October 2, 2012. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gerd Guglhör's "Jubilate Deo" album is number 9 out of 15. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Magnificat a 14 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat a 14 by Giovanni Gabrieli, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Munich Orpheus Choir, Cornets Noirs, Les, Gerd Guglhör to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gabrieli, G: Sacrae symphoniae, Liber I: No. 31, Canzon noni toni, C. 173 | Giovanni Gabrieli, Michel Corboz, Orquestra Gulbenkian | F Major | 1 | 7B | 82 BPM | ||
Missa pro Quadragesima, MH 551: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | C Major | 2 | 8B | 138 BPM | ||
In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
Euridice, Prologo: Sinfonia a 5 | Luca Marenzio, Ensemble Albalonga, Aníbal E. Cetrangolo | F Major | 0 | 7B | 129 BPM | ||
8 Short Preludes on Gregorian Themes, Op. 45: III. Pange lingua | Marcel Dupré, Stefan Engels | D Major | 1 | 10B | 129 BPM | ||
Membra Jesu nostri, BuxWV 75: IIId. Ad manus: In cruore tuo lotum | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Suite: VII. Courante No. 6 | Thomas Simpson, The Prague Brass Soloists | C Major | 2 | 8B | 85 BPM | ||
Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
Rubum quem: Rubum quem | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | B Major | 1 | 1B | 176 BPM | ||
O sácrum convívium | Antonio de Salazar, Horacio Franco, Cappella Cervantina | A♭ Major | 3 | 4B | 92 BPM |