"Gabrieli, G: Sacrae symphoniae, Liber I: No. 31, Canzon noni toni, C. 173" by Giovanni Gabrieli, Michel Corboz, Orquestra Gulbenkian was released on January 6, 2023. The duration of Gabrieli, G: Sacrae symphoniae, Liber I: No. 31, Canzon noni toni, C. 173 is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Gabrieli, G: Sacrae symphoniae, Liber I: No. 31, Canzon noni toni, C. 173's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giovanni Gabrieli, Michel Corboz's "Gabrieli: Sacrae symphoniae" album is number 5 out of 27. On top of that, France appears to be the country where this track was created. Gabrieli, G: Sacrae symphoniae, Liber I: No. 31, Canzon noni toni, C. 173 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gabrieli, G: Sacrae symphoniae, Liber I: No. 31, Canzon noni toni, C. 173 by Giovanni Gabrieli, Michel Corboz, Orquestra Gulbenkian to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzon III a 4 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Minor | 1 | 6A | 87 BPM | ||
Ricercar VII | Andrea Gabrieli, Jordi Savall | C Major | 1 | 8B | 111 BPM | ||
The Gordion Knot Unty'd, Z. 597: Fourth Act Tune: Jig | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 100 BPM | ||
Gabrieli, G: Sacrae symphoniae, Liber I: No. 61, Jubilate Deo, omnis terra, C. 51 | Giovanni Gabrieli, Michel Corboz, Coro Gulbenkian, Orquestra Gulbenkian | F Major | 1 | 7B | 82 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Antiphon: In mandatis eius | Sixt Dietrich, Amarcord | B Minor | 1 | 10A | 75 BPM | ||
Deitatis Majestatem: I. Deitatis Majestatem | Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre, André Morsch | C Minor | 2 | 5A | 75 BPM | ||
XXVII. Er sprach zu mir (Martin Luther, Nun freut euch, lieben Christen g'mein) | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: III. Siehe, wir preisen. Langsam und sanft | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | F Major | 1 | 7B | 99 BPM |