Henry Purcell, Aradia Ensemble, Kevin Mallon's 'The Gordion Knot Unty'd, Z. 597: Fourth Act Tune: Jig' came out on March 25, 2008. With The Gordion Knot Unty'd, Z. 597: Fourth Act Tune: Jig being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Purcell: Theatre Music, Vol. 1 - Amphitryon / Sir Barnaby Whigg / The Gordian Knot Unty'D / Circe". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Gordion Knot Unty'd, Z. 597: Fourth Act Tune: Jig is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Gordion Knot Unty'd, Z. 597: Fourth Act Tune: Jig by Henry Purcell, Aradia Ensemble, Kevin Mallon having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Intermedes de Xerxes: Air pour les Esclaves dansans (minuet and passepied versions) | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 180 BPM | ||
Symphony in A Major, Eisen A1: III. Allegro | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | A Major | 0 | 11B | 97 BPM | ||
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Mischievous Young Princess Lost in the Forest | Valeriy Blagovidov | D♭ Major | 0 | 3B | 100 BPM | ||
Ricercar XIX | Paolo Quagliati, Le Poème Harmonique, Vincent Dumestre | E♭ Minor | 0 | 2A | 113 BPM | ||
Suite in G Major: V. Gavotte - Rondeau | Robert de Visée, Yasunori Imamura | D Major | 2 | 10B | 97 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata seconda | Giovanni Battista Fontana, Enrico Onofri, Imaginarium, Alessandro Palmeri | C Minor | 0 | 5A | 81 BPM | ||
The Fairy Queen, Z. 629, Act I: Rondeau | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | A Major | 1 | 11B | 154 BPM | ||
Sonate in D minor: I. Lentement | Anne Danican Philidor, Dorothee Oberlinger | D♭ Minor | 1 | 12A | 52 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Emma Kirkby, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 129 BPM |