Robert de Visée, Yasunori Imamura made "Suite in G Major: V. Gavotte - Rondeau" available on January 1, 1993. With Suite in G Major: V. Gavotte - Rondeau being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Visee, R. De: Suites by Robert de Visée, Yasunori Imamura. The song's track number on the album is #5 out of 30 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Suite in G Major: V. Gavotte - Rondeau is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Suite in G Major: V. Gavotte - Rondeau by Robert de Visée, Yasunori Imamura has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Suite in G Major: V. Gavotte - Rondeau being at 97 テンポ, the half-time would be 48 テンポ with a double-time of 194 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ricercar Ottavo | Giulio Segni Da Modena, Jacob Heringman | D Major | 0 | 10B | 120 BPM | ||
Suite in A Major: III. Courante | Robert de Visée, Yasunori Imamura | D♭ Minor | 1 | 12A | 124 BPM | ||
Bransle Loraine, TMA18 | Michael Praetorius, Capella De La Torre, Katharina Bauml | C Major | 1 | 8B | 93 BPM | ||
Poi che volse (Renaissance Lute) | Joan Ambrosio Dalza, Beatrice Pornon | G Minor | 0 | 6A | 74 BPM | ||
Gagliarda | Hopkinson Smith, Giovanni Girolamo Kapsberger | E Major | 1 | 12B | 128 BPM | ||
Rondeau in B-Flat Major "Les Bergeries", BWV Anh. 183 (Formerly Attrib. Bach) | François Couperin, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Donna, quando pietosa / El travagliato / La gamba in basso e soprano / Amor è foco e ghiaccio | Jacques Arcadelt, Vincenzo Ruffo, Orazio Vecchi, Piffaro, Joan Kimball, Robert Wiemken | E♭ Minor | 0 | 2A | 82 BPM | ||
Lady Hunsdon's Puffe, P. 54 | John Dowland, Bor Zuljan | F Minor | 1 | 4A | 95 BPM | ||
32 courantes: No. 10, L'immortelle in D Minor | Ennemond Gaultier, Rolf Lislevand | D♭ Minor | 1 | 12A | 129 BPM | ||
Suite in D Minor: III. L'adieu | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM |