Vieux Gaultier, Hopkinson Smith's 'Suite in D Minor: III. L'adieu' came out on 2000. The duration of Suite in D Minor: III. L'adieu is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Suite in D Minor: III. L'adieu's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vieux Gaultier: Pièces de luth by Vieux Gaultier, Hopkinson Smith. The song's track number on the album is #3 out of 21 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Suite in D Minor: III. L'adieu's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Suite in D Minor: III. L'adieu by Vieux Gaultier, Hopkinson Smith has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Suite in D Minor: III. L'adieu being at 127 テンポ, the half-time would be 64 テンポ with a double-time of 254 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Pièces de viole du Quatrième Livre, suite d’un goût étranger: Marche Tartare, IV. 55 (1711) | Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman | D Major | 1 | 10B | 104 BPM | ||
6 Violin Sonatas and Partitas, Partita No. 2 in A Minor, BWV 1002: II. Double | Johann Sebastian Bach, Hopkinson Smith | B Major | 2 | 1B | 126 BPM | ||
The Queen's Galliard, P. 97 | John Dowland, Nigel North | D♭ Major | 1 | 3B | 93 BPM | ||
Dominus illuminatio mea: Sinfonia | Franz Tunder, Peter Barany, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A Minor | 0 | 8A | 79 BPM | ||
Pièces de viole du Second Livre, suite en si mineur: Sarabande, II. 89 (1701) | Marin Marais, Jordi Savall, Hopkinson Smith, Anne Gallet | D♭ Major | 2 | 3B | 51 BPM | ||
Daniell Batchelar: Mounsier's Almaine (1610) | Paul O'Dette | F♯ Major | 0 | 2B | 124 BPM | ||
Carillon | Ennemond Gaultier, Toyohiko Satoh | D♭ Minor | 1 | 12A | 58 BPM | ||
Io non compro più speranza - Franciscus bossinensis, Libro primo | Marchetto Cara, Hopkinson Smith | B♭ Major | 2 | 6B | 84 BPM | ||
Espanoletta | Carlo Calvi, Pierre Pitzl, Private Musicke | A♭ Minor | 0 | 1A | 93 BPM | ||
Poi che volse (Renaissance Lute) | Joan Ambrosio Dalza, Beatrice Pornon | G Minor | 0 | 6A | 74 BPM |