Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi's 'Missa pro Quadragesima, MH 551: Kyrie' came out on July 15, 2014. The duration of Missa pro Quadragesima, MH 551: Kyrie is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Missa pro Quadragesima, MH 551: Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Haydn, Purcell Choir, Gyorgy Vashegyi's "Haydn, M.: Masses" album is number 8 out of 28. On top of that, Hungary appears to be the country where this track was created. Based on our statistics, Missa pro Quadragesima, MH 551: Kyrie's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro Quadragesima, MH 551: Kyrie by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi to be Allegro (fast, quick, and bright) because the track has a tempo of 138 テンポ, a half-time of 69テンポ, and a double-time of 276 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum "de Lyon": III. Te gloriosus apostolorum chorus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM | ||
When Saul was king: IV. All the night she weepeth sore | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Helen Charlston, Academy of Ancient Music | E Minor | 0 | 9A | 111 BPM | ||
Buxtehude: Membra Jesu nostri, BuxWV 75: II. Ad genua. "Ad uber portabimini" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Michael Chance, Christoph Prégardien, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | D Major | 0 | 10B | 100 BPM | ||
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi | Heinrich Schütz, Ensemble Polyharmonique | D Minor | 3 | 7A | 134 BPM | ||
Afflicti pro peccatis nostris a 6, T. 51 (Cantiones Sacrae, 1591): I. Afflicti pro peccatis nostris | William Byrd, Owain Park, The Gesualdo Six | B Major | 1 | 1B | 146 BPM | ||
Die Ährenleserin, MH 493: III. 03 Duett Emilie - Krums "Ach lieber Mann / Nichts, ich will nicht ein Esel sein" | Michael Haydn, Salzburger Hofmusik, Wolfgang Brunner, Monika Mauch, Jakob Mitterrutzner | E Major | 1 | 12B | 126 BPM | ||
Unser Leben währet siebenzig Jahr | Johann Michael Bach, Vox Luminis, Lionel Meunier | C Major | 1 | 8B | 97 BPM | ||
Hymnen, Op. 140: Nr. 4 Ave Regina | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D♭ Major | 1 | 3B | 69 BPM | ||
Nisi Dominus, HWV 238: I. Nisi Dominus | George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM |