Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward made "Oboe Concerto in C Major (after Cimarosa's キーboard Sonatas): IV. Allegro giusto" available on November 19, 1996. The duration of Oboe Concerto in C Major (after Cimarosa's キーboard Sonatas): IV. Allegro giusto is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Oboe Concerto in C Major (after Cimarosa's キーboard Sonatas): IV. Allegro giusto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in City of London Sinfonia's "Italian Oboe Concertos, Vol. 1" album is number 4 out of 18. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Oboe Concerto in C Major (after Cimarosa's キーboard Sonatas): IV. Allegro giusto is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Oboe Concerto in C Major (after Cimarosa's キーboard Sonatas): IV. Allegro giusto by Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 2 | 5A | 93 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 2: IV. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Minor | 3 | 5A | 149 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): II. Allemande | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 1 | 7B | 103 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): I. Introduzione | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | B Major | 1 | 1B | 124 BPM | ||
Oboe Concerto No. 1 in B-Flat Major, HWV 301: I. Adagio | George Frideric Handel, Maurice André, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | B♭ Major | 2 | 6B | 73 BPM | ||
Abdelazar Suite, Z. 570: V. Minuet | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM | ||
Sonata A Tre Viol Da Gamba (Excerpts): II. Allegro, Adagio (Nicolai) | Johann Michael Nicolai, Masques, Olivier Fortin | A♭ Minor | 2 | 1A | 102 BPM |