Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward made "Oboe Concerto in C Major (after Cimarosa's キーboard Sonatas): I. Introduzione" available on November 19, 1996. The duration of Oboe Concerto in C Major (after Cimarosa's キーboard Sonatas): I. Introduzione is about 3 minutes long, at 3:01. Based on our data, "Oboe Concerto in C Major (after Cimarosa's キーboard Sonatas): I. Introduzione" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in City of London Sinfonia's "Italian Oboe Concertos, Vol. 1" album is number 1 out of 18. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Oboe Concerto in C Major (after Cimarosa's キーboard Sonatas): I. Introduzione's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Oboe Concerto in C Major (after Cimarosa's キーboard Sonatas): I. Introduzione by Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward to be Allegro (fast, quick, and bright) because the track has a tempo of 124 テンポ, a half-time of 62テンポ, and a double-time of 248 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Concerto I in Sol minore RV 157: Allegro | Modo Antiquo, Federico Maria Sardelli | G Minor | 5 | 6A | 138 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | B♭ Major | 1 | 6B | 133 BPM | ||
Flute Concerto in D major: 1. Allegro | Jacques Loeillet, Jean-Pierre Rampal, Orchestre Antiqua Musica, Jacques Roussel | D Major | 1 | 10B | 138 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | B Minor | 3 | 10A | 119 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 -Non partir, ritrosetta (sv165) | Claudio Monteverdi, Alfred Deller, Deller Consort | F Minor | 1 | 4A | 92 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: III. Allemanda: Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 3 | 10B | 175 BPM | ||
Suite From Abdelzar: II. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 92 BPM |