Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana made "Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro" available on December 12, 1990. The duration of Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 29 in Corelli: Concerti Grossi, Op. 6, Nos. 1-6 by Arcangelo Corelli. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro by Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In G Minor, Op. 3, No. 2, RV 578: III. Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Capella Istropolitana, Jaroslav Dvořák | B Minor | 3 | 10A | 127 BPM | ||
Abdelazar Suite, Z. 570: IX. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 123 BPM | ||
Concerto No 1 in G major - Presto - Adagio | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Major | 2 | 2B | 92 BPM | ||
Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": II. Largo Andante | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 71 BPM | ||
Trio Sonata in E-Flat Major, Op. 8, No. 6: III. Presto | Giuseppe Tartini, Danubius Ensemble | D Major | 1 | 10B | 81 BPM | ||
Sonata in D Major, No. 1: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B♭ Minor | 1 | 3A | 96 BPM | ||
Concerto grosso No. 9 in F Major, Op. 6: I. Preludio (Largo) | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Yoko Kawakubo | E Major | 2 | 12B | 102 BPM | ||
Concerto for Viola and Orchestra in G Major: I. Largo | Georg Philipp Telemann, Capella Istropolitana, Paul Kantschieder | E♭ Major | 2 | 5B | 111 BPM |