"Concerto grosso No. 9 in F Major, Op. 6: I. Preludio (Largo)" by Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Yoko Kawakubo was released on October 14, 2013. With Concerto grosso No. 9 in F Major, Op. 6: I. Preludio (Largo) being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 70 in Corelli: The Complete Concerti Grossi by Arcangelo Corelli, Gli Incogniti, Amandine Beyer. In terms of popularity, Concerto grosso No. 9 in F Major, Op. 6: I. Preludio (Largo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto grosso No. 9 in F Major, Op. 6: I. Preludio (Largo) by Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Yoko Kawakubo is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Act 5 Chaconne | William Christie | E♭ Major | 0 | 5B | 125 BPM | ||
Concerto grosso in D Major, Op. 6, No. 7: III. Andante largo - Allegro | Arcangelo Corelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | F Major | 1 | 7B | 136 BPM | ||
Trio Sonata in E-Flat Major, Op. 8, No. 6: II. Andante | Giuseppe Tartini, Danubius Ensemble | D Major | 1 | 10B | 86 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 107 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM | ||
Sonata Da Chiesa No. 3 in C Major, Op. 5: I. Adagio | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | B Major | 2 | 1B | 91 BPM |