"Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo" by Johann Gottlieb Goldberg, London Baroque was released on May 28, 2013. With Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "The Trio Sonata in 18th-Century Germany". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Sweden. Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo by Johann Gottlieb Goldberg, London Baroque having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia a 3 in G major: III. Allegrissimo | Domenico Scarlatti, Raffaello Negri/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | F♯ Major | 3 | 2B | 135 BPM | ||
Sonata II In G Minor: V. Aria (Muffat) | Georg Muffat, Masques, Olivier Fortin | A Major | 1 | 11B | 125 BPM | ||
Sonata I in D Major, Op. 13: I. Adagio | Jean-Marie Leclair, London Baroque | D♭ Major | 1 | 3B | 82 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 3: I. Presto | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 3 | 12A | 115 BPM | ||
Sonata à 3 in D Minor, B. d2: I. Allegro | Giuseppe Tartini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": V. Allegro | Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone | C Minor | 1 | 5A | 129 BPM | ||
Trio Sonata No. 5 in C Major, BWV 529: III. Allegro (Arr. R. Gwilt) | Johann Sebastian Bach, London Baroque | D♭ Major | 4 | 3B | 101 BPM | ||
Sonata a 3 in D Minor, Op. 2, No. 6: II. Adagio | Carolus Hacquart, London Baroque | D♭ Major | 0 | 3B | 83 BPM | ||
Symphony No. 4 in C Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | B Major | 1 | 1B | 124 BPM | ||
Trio Sonata, Op. 1, No. 1: I. Adagio - Andante | Charles Avison, London Baroque | D♭ Minor | 1 | 12A | 76 BPM |