"Sonata a 3 in D Minor, Op. 2, No. 6: II. Adagio" by Carolus Hacquart, London Baroque was released on March 1, 2008. With Sonata a 3 in D Minor, Op. 2, No. 6: II. Adagio being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 29 in Chamber Music: London Baroque - Rosenmuller, J. / Hacquart, C. / Buxtehude, D. / Biber, H. I. F. (The Trio Sonata in 17Th Century Germany) by London Baroque. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Sonata a 3 in D Minor, Op. 2, No. 6: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata a 3 in D Minor, Op. 2, No. 6: II. Adagio by Carolus Hacquart, London Baroque is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Scott Ross | E Minor | 3 | 9A | 97 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": For Iris I Sigh (Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 107 BPM | ||
12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts): II. Largo | Isabella Leonarda, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya Gandilyan | A Minor | 2 | 8A | 127 BPM | ||
Sonata No.6 in D Major, Op. 50: IV. Allegro | Joseph Bodin de Boismortier, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Harmonia parnassia: Sonata ottava a quattro | Carolus Hacquart, Ensemble Clematis, Leonardo García-Alarcón | E Minor | 2 | 9A | 168 BPM | ||
Sonata à 3 in D Minor, Op. 2 No. 6: III. Adagio | Carolus Hacquart, London Baroque | A♭ Minor | 3 | 1A | 103 BPM | ||
De Triomfeerende Min: V. Kom schoone moeder van de min | Carolus Hacquart, Camerata Trajectina | F♯ Major | 1 | 2B | 171 BPM | ||
De Bruiloft van Kloris en Roosje: II. Contredans in Cloris en Roosje | Carolus Hacquart, Camerata Trajectina | A♭ Major | 1 | 4B | 30 BPM |