"Trio Sonata, Op. 1, No. 1: I. Adagio - Andante" by Charles Avison, London Baroque was released on August 24, 2010. With Trio Sonata, Op. 1, No. 1: I. Adagio - Andante being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "The Trio Sonata in 18th Century England". In this album, this song's track order is #9. Trio Sonata, Op. 1, No. 1: I. Adagio - Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio Sonata, Op. 1, No. 1: I. Adagio - Andante by Charles Avison, London Baroque having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In A Major, Op.12, No.1: 2. Allegro | Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 109 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): III. Vivace | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | E Major | 1 | 12B | 174 BPM | ||
Concerto Alla Rustica for Strings in G Major, RV 151: III. Allegro | Antonio Vivaldi, Orchestre De Chambre De Toulouse, Gilles Colliard | D♭ Major | 5 | 3B | 80 BPM | ||
Airs for the Winter: Golden Rod: III. Tempo di minuetto: Allegro | James Oswald, The Broadside Band | A Major | 2 | 11B | 76 BPM | ||
Ich hatte viel Bekümmernis, BWV 21: Ich hatte viel Bekummernis, BWV 21: Sinfonia | Johann Sebastian Bach, Il Gardellino | B Minor | 2 | 10A | 65 BPM | ||
Concerto Grosso No. 7 in G Minor (after D. Scarlatti): I. Adagio | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | F♯ Minor | 1 | 11A | 93 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Concerto 6 in A Major, Op. 7: I. Allegro ma non presto | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | F♯ Minor | 0 | 11A | 98 BPM | ||
Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo | Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend | F Major | 0 | 7B | 36 BPM | ||
Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | D♭ Minor | 3 | 12A | 155 BPM |