""Bist du bei mir" (formerly attrib. J.S.Bach as BWV 508)" by Gottfried Heinrich Stölzel, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood was released on January 1, 1999. The duration of "Bist du bei mir" (formerly attrib. J.S.Bach as BWV 508) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. "Bist du bei mir" (formerly attrib. J.S.Bach as BWV 508)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 23 in Bach, J.S.: Wedding Cantatas by Johann Sebastian Bach, Emma Kirkby, The Academy Of Ancient Music Chamber Ensemble, Christopher Hogwood. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, "Bist du bei mir" (formerly attrib. J.S.Bach as BWV 508) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of "Bist du bei mir" (formerly attrib. J.S.Bach as BWV 508) by Gottfried Heinrich Stölzel, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum: XI. Miserere nostri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: III. Kyrie | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | A Major | 0 | 11B | 119 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30 - Vienna Version (1762) / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | F♯ Major | 0 | 2B | 103 BPM | ||
Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano] | William Christie | A♭ Major | 0 | 4B | 127 BPM | ||
Rinaldo / Act 1: Aria: Sovra balze | George Frideric Handel, Bernarda Fink, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 107 BPM | ||
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM | ||
Dido and Aeneas / Act 3: The Witches' Dance | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 101 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: VI. Te ergo quaesumus | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 132 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1: No. 6. Buß und Reu | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, David Allsopp | F Minor | 1 | 4A | 79 BPM | ||
St. Matthew Passion, BWV 244, Pt. 2: No. 68. Wir setzen uns mit Tränen nieder | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge | B Minor | 2 | 10A | 76 BPM |