Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel's 'Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance' came out on January 1, 1973. The duration of Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance is about 3 minutes long, at 3:21. Based on our data, "Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 39 in the song's album "Prokofiev: Romeo & Juliet". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance by Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 80 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Symphony No. 3 in D Major, Op. 29 "Polish": III. Andante elegiaco | Pyotr Ilyich Tchaikovsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | G Minor | 1 | 6A | 105 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 12, Masks | Sergei Prokofiev, André Previn, London Symphony Orchestra | B♭ Major | 0 | 6B | 163 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
La Princesse lontaine - Prelude | Nikolai Tcherepnin, Russian National Orchestra, Mikhail Pletnev | A Major | 0 | 11B | 69 BPM | ||
Fountains Of Rome, P. 106: 4. The Villa Medici Fountain At Sunset | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 74 BPM |