Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 12, Masks

Sergei Prokofiev, André Previn, London Symphony Orchestra
Prokofiev: Romeo and Juliet
2:41 1973日
テンポ
163
キー
B♭ Major
キャメロットミュージックキー
6B

リンクを埋め込む

共有

Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 12, Masks - Sergei Prokofiev, André Previn, London Symphony Orchestra 情報

音響性
72%
ダンサビリティ
30%
エネルギー
4%
手段性
3%
活気
12%
ラウドネス
59%
話し言葉
3%
価数
18%
人気
ラウドネス
-24.733 dB

まとめ

"Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 12, Masks" by Sergei Prokofiev, André Previn, London Symphony Orchestra was released on 1973. The duration of Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 12, Masks is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 12, Masks's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 52 in the song's album "Prokofiev: Romeo and Juliet". In this album, this song's track order is #12. The popularity of Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 12, Masks is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 12, Masks テンポ

With Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 12, Masks by Sergei Prokofiev, André Previn, London Symphony Orchestra having a テンポ of 163 with a half-time of 82 テンポ and a double-time of 326 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 12, Masks キー

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied by Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von KarajanAlso sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das NachtliedRichard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von KarajanC Major28B100 BPM
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio by Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony OrchestraSuite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. AdagioChristian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony OrchestraA Minor28A108 BPM
Symphony No. 5 in C Minor, Op. 67: III. Allegro by Ludwig van Beethoven, Wiener Philharmoniker, Carlos KleiberSymphony No. 5 in C Minor, Op. 67: III. AllegroLudwig van Beethoven, Wiener Philharmoniker, Carlos KleiberA♭ Major14B82 BPM
Requiem: XI. Domine Jesu Christe by Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Karen Cargill, Stuart Neill, John Relyea, Christine BrewerRequiem: XI. Domine Jesu ChristeGiuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Karen Cargill, Stuart Neill, John Relyea, Christine BrewerA♭ Major04B125 BPM
Carmen Fantasy, Op. 25: II. Lento assai by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James LevineCarmen Fantasy, Op. 25: II. Lento assaiPablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James LevineA Minor18A82 BPM
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 3: No. 50, At Juliet's Bedside (Epilogue) by Sergei Prokofiev, André Previn, London Symphony OrchestraProkofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 3: No. 50, At Juliet's Bedside (Epilogue)Sergei Prokofiev, André Previn, London Symphony OrchestraE Minor09A130 BPM
Quirk: I. Snap by Karl Jenkins, London Symphony Orchestra, Gareth Davies, John Alley, Neil PercyQuirk: I. SnapKarl Jenkins, London Symphony Orchestra, Gareth Davies, John Alley, Neil PercyG Minor46A128 BPM
Symphony No. 2: IV. Allegro Vivace by Sergei Rachmaninoff, Valery Gergiev, London Symphony OrchestraSymphony No. 2: IV. Allegro VivaceSergei Rachmaninoff, Valery Gergiev, London Symphony OrchestraA Major111B94 BPM
La boîte à joujoux, L. 128: III. La bergerie à vendre by Claude Debussy, London Symphony Orchestra, Michael Tilson ThomasLa boîte à joujoux, L. 128: III. La bergerie à vendreClaude Debussy, London Symphony Orchestra, Michael Tilson ThomasF Minor04A72 BPM
Sylvia: Act I: Faunes et Dryades (Scherzo) by Léo Delibes, Razumovsky Symphony Orchestra, Andrew MogreliaSylvia: Act I: Faunes et Dryades (Scherzo)Léo Delibes, Razumovsky Symphony Orchestra, Andrew MogreliaG Major09B81 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records