"Fountains Of Rome, P. 106: 4. The Villa Medici Fountain At Sunset" by Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1996. Fountains Of Rome, P. 106: 4. The Villa Medici Fountain At Sunset is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. There are a total of 18 in the song's album "Respighi: The Fountains of Rome; The Pines of Rome; Ancient Airs and Dances - Suite III / Boccherini: Quintettino / Albinoni: Adagio in G Minor". In this album, this song's track order is #4. Fountains Of Rome, P. 106: 4. The Villa Medici Fountain At Sunset is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fountains Of Rome, P. 106: 4. The Villa Medici Fountain At Sunset by Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde - Concert Version: Liebestod | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Un pochettino largamente | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": III. Adagio | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of the Rival Tribes | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | C Minor | 4 | 5A | 82 BPM | ||
Symphony No.6 In F, Op.68 -"Pastoral": 4. Gewitter, Sturm (Allegro) | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Minor | 3 | 4A | 86 BPM | ||
Ancient Airs and Dances, Suite No. 1: 1. Balletto detto "Il Conte Orlando" | Ottorino Respighi, London Philharmonic Orchestra, Jesús López-Cobos | D Major | 1 | 10B | 55 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
4 Liriche su parole di poeti armeni, P. 132 (arr. Adriano): Mattino di luce | Ottorino Respighi, Adriano, Vladimir Havran, Gabriel Koncer, Frantisek Kovacs, Ivan Paulicka, Michal Sintal, Denisa Šlepkovská, Katarina Vavrekova, Ivan Viskup | B♭ Major | 1 | 6B | 83 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM |