"Symphony No. 3 in D Major, Op. 29 "Polish": III. Andante elegiaco" by Pyotr Ilyich Tchaikovsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra was released on January 13, 2017. Symphony No. 3 in D Major, Op. 29 "Polish": III. Andante elegiaco appears to be safe for all ages as it is not explicit. There are a total of 13 in the song's album "Tchaikovsky: Symphonies No. 3, 4 & 6". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Symphony No. 3 in D Major, Op. 29 "Polish": III. Andante elegiaco is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 3 in D Major, Op. 29 "Polish": III. Andante elegiaco by Pyotr Ilyich Tchaikovsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra having a テンポ of 105 with a half-time of 52 テンポ and a double-time of 210 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
3 Sonetti di Petrarca (1st version), S158/R10b: Sonetto No. 47. Benedetto sia 'lgiorno | Franz Liszt, Jue Wang | C Major | 2 | 8B | 95 BPM | ||
Final Scene - Tatiana Rejects Onegin (Onegin Ballet Suite No 28) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | B♭ Minor | 1 | 3A | 94 BPM | ||
Symphony No. 2 in C Minor, Op. 17, "Little Russian": III. Scherzo: Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Polish National Radio Symphony Orchestra, Adrian Leaper | F Major | 3 | 7B | 137 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: IV. Allegro marziale animato | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Major | 2 | 4B | 80 BPM | ||
Octet in F Major, D. 803: III. Allegro vivace - Trio | Franz Schubert, Budapest Schubert Ensemble | D Major | 3 | 10B | 84 BPM | ||
Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio | Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | A Major | 1 | 11B | 80 BPM | ||
Souvenir de Florence, Op. 70 TH 118: II. Adagio cantabile e con moto | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D Major | 1 | 10B | 85 BPM | ||
La Revue de cuisine: 2. Tango | Bohuslav Martinů, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 90 BPM |