Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi made "Flute Concerto in D Minor, QV 5:81: III. Vivace" available on July 2, 2013. With this song being about 5 minutes long, at 5:24, "Flute Concerto in D Minor, QV 5:81: III. Vivace" by Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Quantz: Flute Concertos". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Flute Concerto in D Minor, QV 5:81: III. Vivace's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Flute Concerto in D Minor, QV 5:81: III. Vivace by Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi having a テンポ of 137 with a half-time of 68 テンポ and a double-time of 274 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Flute Sonata in G Major, QV 1:105: II. Cantabile | Johann Joachim Quantz, Badinage | D Major | 1 | 10B | 70 BPM | ||
Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM | ||
Abdelazar Suite, Z. 570: IV. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Instrumental Music from Dioclesian, Z. 627: 2. Preludio | Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra | B Minor | 0 | 10A | 114 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 70 BPM | ||
Concerto No 4 in D major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | A♭ Major | 4 | 4B | 93 BPM | ||
Intermedes de Xerxes: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 98 BPM | ||
Concerto No 3 in B minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B♭ Minor | 2 | 3A | 142 BPM |