Johann Joachim Quantz, Badinage made "Flute Sonata in G Major, QV 1:105: II. Cantabile" available on November 17, 2009. The duration of Flute Sonata in G Major, QV 1:105: II. Cantabile is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Flute Sonata in G Major, QV 1:105: II. Cantabile's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Quantz: For His Majesty's Pleasure". In this album, this song's track order is #2. Flute Sonata in G Major, QV 1:105: II. Cantabile is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Flute Sonata in G Major, QV 1:105: II. Cantabile by Johann Joachim Quantz, Badinage having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio | Giuseppe Torelli, Berlin Baroque Compagney | E Major | 0 | 12B | 116 BPM | ||
Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 78 BPM | ||
Kommt, eilet und laufet, BWV 249, "Easter Oratorio": I. Sinfonia, ''Adagio'' | Johann Sebastian Bach, Keisuke Wakao, Malcolm Lowe, Victor Romanul, Cathy Basrak, Sato Knudsen, Edwin Barker | D♭ Major | 8 | 3B | 117 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | D Minor | 3 | 7A | 179 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Pygmalion: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | E♭ Minor | 1 | 2A | 136 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 141 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Concerto In Do maggiore: Allegro Molto | Modo Antiquo | F♯ Major | 1 | 2B | 123 BPM |