"Intermedes de Xerxes: Ouverture" by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon was released on May 4, 1998. The duration of Intermedes de Xerxes: Ouverture is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Intermedes de Xerxes: Ouverture's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 10 out of 35. In terms of popularity, Intermedes de Xerxes: Ouverture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Intermedes de Xerxes: Ouverture by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tempest, Z. 631, "The Enchanted Island": Neptune' Masque, Act V, No. 16 (Duet and Chorus) | Henry Purcell, Nils Brown, Michael Colvin, Paul Grindlay, Meredith Hall, Gillian Keith, Brett Polegato, Rosemarie van der Hooft, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 59 BPM | ||
Sonata I in B Minor, HWV 386, Op. 2 No. 1: III. Largo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | ||
Intermedes de Xerxes: Air pour les Esclaves dansans (minuet and passepied versions) | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 180 BPM | ||
Concerto in G major Seibel 217: 3. Grave | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 126 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): V. Giga (Allegro) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F Minor | 0 | 4A | 124 BPM | ||
Canzon 19 a 8 | Giovanni Picchi, Flanders Recorder Quartet, Viola da Gamba Consort, Guy Penson | A♭ Major | 1 | 4B | 81 BPM | ||
Macbeth: End of 3rd Act – Lochaber | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 1 | 9B | 139 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: III. Allegro | Johann Friedrich Fasch, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | A♭ Major | 2 | 4B | 127 BPM | ||
Première Suite: Allemande légère | Jordi Savall, Ton Koopman, Ariane Maurette | D Minor | 1 | 7A | 63 BPM | ||
Symphony in A Major, Eisen A1: III. Allegro | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | A Major | 0 | 11B | 97 BPM |