Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon's 'Macbeth: End of 3rd Act – Lochaber' came out on March 1, 2006. The duration of Macbeth: End of 3rd Act – Lochaber is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Macbeth: End of 3rd Act – Lochaber's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 27 in Arnold, S.: 6 Overtures, Op. 8 / Macbeth (Incidental Music) by Samuel Arnold. Based on our statistics, Macbeth: End of 3rd Act – Lochaber's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Macbeth: End of 3rd Act – Lochaber by Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon is Allegro (fast, quick, and bright), since this song has a tempo of 139 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 24 in F Major, K. 376 (arr. P. Gallois for flute and piano): II. Andante | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | B♭ Major | 0 | 6B | 112 BPM | ||
Les Danaïdes, Acte I Scène 1: Air de danse | Antonio Salieri, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli, Les Talens Lyriques, Christophe Rousset | F Major | 4 | 7B | 72 BPM | ||
Abdelazar Suite, Z. 570: VIII. Hornpipe | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Polly: Overture | Johann Christoph Pepusch, Samuel Arnold, Laura Albino, Eve Rachel McLeod, Gillian Grossman, Marion Newman, Loralie Kirkpatrick, Bud Roach, Lawrence Wiliford, Andrew Mahon, Matthew Grosfeld, Jason Nedecky, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 125 BPM | ||
Overture in B-Flat Major, Op. 8, No. 1: III. Tempo di minuetto | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 128 BPM | ||
Spängler-Menuett I | Leopold Mozart, Bankhaus Spängler | D Major | 1 | 10B | 65 BPM | ||
6 Clarinet Quartets, Series 2: Clarinet Quartet in E-Flat Major: V. Menuetto | Franz Anton Hoffmeister, Dieter Klöcker, Vlach Quartet Prague | B♭ Major | 0 | 6B | 0 BPM | ||
Sinfonia in A Major: III. Presto assai | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 113 BPM | ||
Sinfonia d'Opera: Allegro vivace | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | A Major | 1 | 11B | 88 BPM | ||
Symphony in A Major, Eisen A1: III. Allegro | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | A Major | 0 | 11B | 97 BPM |