"Strozzi: Che si può fare? (Arr. Pluhar)" by Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Céline Scheen was released on May 3, 2024. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wonder Women by Christina Pluhar, L'Arpeggiata. The song's track number on the album is #2 out of 16 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Strozzi: Che si può fare? (Arr. Pluhar) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Strozzi: Che si può fare? (Arr. Pluhar) by Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Céline Scheen has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Strozzi: Che si può fare? (Arr. Pluhar) being at 98 テンポ, the half-time would be 49 テンポ with a double-time of 196 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Bembo: Habbi pietà di me | Antonia Bembo, Christina Pluhar, L'Arpeggiata, Céline Scheen | E Minor | 1 | 9A | 70 BPM | ||
No Time in Eternity: I. To Music (I) | Michael Nyman, Iestyn Davies | D Minor | 1 | 7A | 135 BPM | ||
Monteverdi: Madrigals, Book 7: Tempro la cetra, SV 117 | Claudio Monteverdi, Christina Pluhar, Cyril Auvity, Jan Van Elsacker | G Major | 1 | 9B | 133 BPM | ||
Kapsberger: Canario (Improvisations based on Girolamo Kapsberger) | Giovanni Girolamo Kapsberger, Christina Pluhar, L'Arpeggiata | G Major | 3 | 9B | 133 BPM | ||
T'amai gran tempo | Stefano Landi, L'Arpeggiata, Christina Pluhar | G Major | 2 | 9B | 142 BPM | ||
Non volete ch'io mi dolga | Barbara Strozzi, Berit Norbakken, Solmund Nystabakk | A♭ Major | 0 | 4B | 82 BPM | ||
Ariette "D'amor per te languisco", H. 767, Wq. 213 | Carl Philipp Emanuel Bach, Chantal Santon Jeffery, Jean Brégnac, Nicolas Bouils, Jennifer Hardy, Yoann Moulin | B♭ Minor | 3 | 3A | 69 BPM | ||
Tarantella Napoletana, Tono Hypodorico | Christina Pluhar, Athanasius Kircher, L'Arpeggiata | F Major | 2 | 7B | 157 BPM | ||
Toccata | L'Arpeggiata, Christina Pluhar | D Minor | 0 | 7A | 83 BPM |