"No Time in Eternity: I. To Music (I)" by Michael Nyman, Iestyn Davies was released on March 22, 2019. The duration of No Time in Eternity: I. To Music (I) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. No Time in Eternity: I. To Music (I)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Nyman, Iestyn Davies, Fretwork's "If: Michael Nyman, Henry Purcell" album is number 1 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, No Time in Eternity: I. To Music (I)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of No Time in Eternity: I. To Music (I) by Michael Nyman, Iestyn Davies to be Allegro (fast, quick, and bright) because the track has a tempo of 135 テンポ, a half-time of 68テンポ, and a double-time of 270 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
To The Edge Of The Earth | Michael Nyman | A Minor | 2 | 8A | 100 BPM | ||
Rachmaninov: Vespers, Op. 37: No. 6, Bogoroditse Devo | Sergei Rachmaninoff, Edward Higginbottom, Choir of New College, Oxford | F Major | 1 | 7B | 121 BPM | ||
The Peacemakers: VII. A Meditation: Peace Is | Karl Jenkins, London Symphony Orchestra, Laurence Cottle, Lucy Crowe, Rundfunkchor Berlin | A Minor | 1 | 8A | 81 BPM | ||
sopra Canaryo | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Major | 1 | 9B | 79 BPM | ||
Al dolce soun | Orlande de Lassus, Orland di Lasso, Alsfelder Vocal Ensemble, Wolfgang Helbich | A♭ Major | 1 | 4B | 81 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Butterflies | Balanescu Quartet | A♭ Minor | 2 | 1A | 75 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Venus' birds whose mournful tunes | John Bennet, Julian Behr, Andreas Scholl, Concerto di Viole | E♭ Minor | 1 | 2A | 108 BPM | ||
Baïlèro, Serie 1, No. 2 | Joseph Canteloube, Patricia Rozario, Philharmonia Orchestra, Sir John Pritchard | B♭ Major | 2 | 6B | 87 BPM |