"Toccata" by L'Arpeggiata, Christina Pluhar was released on 2003. The duration of Toccata is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Toccata's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 15 in All' Improvviso: Ciaccone, Bergamasche, & un po' di Follie... by Christina Pluhar, L'Arpeggiata. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Toccata is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Toccata by L'Arpeggiata, Christina Pluhar is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nisi Dominus (Psalm 126), RV 608 - Arr. Recorder & Strings: "Cum dederit" | Antonio Vivaldi, Lucie Horsch, Amsterdam Vivaldi Players | D Major | 0 | 10B | 93 BPM | ||
Amor de mel, amor de fel | Amália Rodrigues, Carlos Goncalves, Christina Pluhar | C Minor | 1 | 5A | 126 BPM | ||
Ninna Nanna sopra la romanesca | L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi | B Minor | 0 | 10A | 131 BPM | ||
Adagio for Mandolin and Harpsichord in E Flat Major, WoO 43b (Transcr. for Mandolin and Harp) | Ludwig van Beethoven, Avi Avital, Anneleen Lenaerts | E♭ Major | 0 | 5B | 80 BPM | ||
Maria (sopra La Carpinese) | Jean-Philippe Guissani, Christina Pluhar, L'Arpeggiata, Barbara Furtuna | E Minor | 1 | 9A | 88 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
Quatuor No. 6 in E Minor: VI. Modéré | Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | E♭ Minor | 1 | 2A | 147 BPM | ||
Bach, JS: "Komm, süsser Tod, komm, sel'ge Ruh", BWV 478 | Johann Sebastian Bach, Christina Pluhar, L'Arpeggiata | C Major | 1 | 8B | 74 BPM | ||
Strozzi: Che si può fare? (Arr. Pluhar) | Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Céline Scheen | D Minor | 2 | 7A | 98 BPM | ||
D'Anglebert: Suite No. 3 en ré mineur: VI. Sarabande Grave. Lentement | Jean-Henri d'Anglebert, Jean Rondeau | A♭ Minor | 1 | 1A | 76 BPM |