"Bach, JS: "Komm, süsser Tod, komm, sel'ge Ruh", BWV 478" by Johann Sebastian Bach, Christina Pluhar, L'Arpeggiata was released on October 5, 2018. The duration of Bach, JS: "Komm, süsser Tod, komm, sel'ge Ruh", BWV 478 is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Bach, JS: "Komm, süsser Tod, komm, sel'ge Ruh", BWV 478's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christina Pluhar's "Himmelsmusik" album is number 13 out of 13. Bach, JS: "Komm, süsser Tod, komm, sel'ge Ruh", BWV 478 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bach, JS: "Komm, süsser Tod, komm, sel'ge Ruh", BWV 478 by Johann Sebastian Bach, Christina Pluhar, L'Arpeggiata to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ahle: Bleib bei uns, denn es will Abend werden | Johann Rudolf Ahle, Christina Pluhar, Céline Scheen, Philippe Jaroussky, L'Arpeggiata | G Minor | 1 | 6A | 173 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Fago: Confitebor tibi Domine: I. "Confitebor tibi Domine" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 90 BPM | ||
Christmas Oratorio, BWV 248/1: Bereite dich, Zion (Alto) | Johann Sebastian Bach, Christian Friedrich Henrici, Marianne Beate Kielland, Alfredo Bernardini, Barokkanerne | F Major | 2 | 7B | 81 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Rossi / Arr. Pluhar: "Quando spiega la notte" | Luigi Rossi, Christina Pluhar, Céline Scheen | C Major | 1 | 8B | 81 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. "Wie lieblich sind deine Wohnungen, Herr Zebaoth" (Choir) | Johannes Brahms, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | E♭ Major | 0 | 5B | 98 BPM | ||
Voglio morire | Luigi Rossi, Christina Pluhar | D Minor | 0 | 7A | 99 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Io parto, amati lumi | Giulio Caccini, Stephan Van Dyck, Christina Pluhar, Paulina Van Laarhoven, Eero Palviainen, Francisco Gato, Vincent Libert | G Major | 1 | 9B | 97 BPM |