Giovanni Girolamo Kapsberger, Christina Pluhar, L'Arpeggiata made "Kapsberger: Canario (Improvisations based on Girolamo Kapsberger)" available on September 1, 2017. With this song being about 5 minutes long, at 4:54, "Kapsberger: Canario (Improvisations based on Girolamo Kapsberger)" by Giovanni Girolamo Kapsberger, Christina Pluhar, L'Arpeggiata is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Christina Pluhar's "Handel goes Wild" album is number 10 out of 15. Based on our statistics, Kapsberger: Canario (Improvisations based on Girolamo Kapsberger)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kapsberger: Canario (Improvisations based on Girolamo Kapsberger) by Giovanni Girolamo Kapsberger, Christina Pluhar, L'Arpeggiata to be Allegro (fast, quick, and bright) because the track has a tempo of 133 テンポ, a half-time of 66テンポ, and a double-time of 266 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Monteverdi: L'Orfeo, SV 318, Act 5: Sinfonie & Moresca | Alessandro Striggio, Claudio Monteverdi, Christina Pluhar | C Major | 3 | 8B | 117 BPM | ||
Sfessania | Traditional, Christina Pluhar, L'Arpeggiata | G Major | 4 | 9B | 159 BPM | ||
T'amai gran tempo | Stefano Landi, L'Arpeggiata, Christina Pluhar | G Major | 2 | 9B | 142 BPM | ||
Rossi: "Begl'occhi che dite" | Luigi Rossi, Christina Pluhar, Véronique Gens | F Minor | 0 | 4A | 109 BPM | ||
Quelles beautés, ô mortels (Récit de Mnémosyne) | Antoine Boësset, Simone Kermes, Enrico Casazza | D Major | 4 | 10B | 91 BPM | ||
Jácaras por la E | Santiago De Murcia, Andrew Lawrence-King, Paul O'Dette, Pedro Estevan, Pat O'Brien, Steve PLAYER | D Minor | 1 | 7A | 97 BPM | ||
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Duet. "In Vain the Am'rous Flute" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto | C Minor | 0 | 5A | 80 BPM | ||
Le seconde musiche, No. 8, Quest'amore, quest'arsura | Claudio Saracini, Marco Beasley, Constantinople, Kiya Tabassian | C Major | 3 | 8B | 82 BPM | ||
Prelude For Lute In C Minor, BWV 999 | Johann Sebastian Bach, Narciso Yepes | C Major | 1 | 8B | 96 BPM | ||
Purcell: "O Solitude, My Sweetest Choice", Z. 406 | Henry Purcell, Nancy Argenta, Nigel North, Paul Nicholson, Richard Boothby | B Minor | 0 | 10A | 73 BPM |