"Porgy and Bess: A Symphonic Picture - Arr. Robert Russell Bennett" by George Gershwin, Detroit Symphony Orchestra, Antal Doráti was released on January 1, 1983. Porgy and Bess: A Symphonic Picture - Arr. Robert Russell Bennett appears to be safe for all ages as it is not explicit. The track order of this song in Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti's "Grofé: Grand Canyon Suite/Gershwin: Porgy & Bess" album is number 1 out of 6. Porgy and Bess: A Symphonic Picture - Arr. Robert Russell Bennett is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Porgy and Bess: A Symphonic Picture - Arr. Robert Russell Bennett by George Gershwin, Detroit Symphony Orchestra, Antal Doráti to be Lento (slowly) because the track has a tempo of 60 テンポ, a half-time of 30テンポ, and a double-time of 120 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
English Suite: March | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | F Minor | 1 | 4A | 125 BPM | ||
Woodland Sketches, Op. 51: No. 1: To a Wild Rose | Edward MacDowell, James Barbagallo | A Major | 0 | 11B | 87 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | ||
5 Bagatelles for clarinet and piano, Op.23: 4. Forlana - Allegretto grazioso | Gerald Finzi, Emma Johnson, Malcolm Martineau | F♯ Major | 0 | 2B | 185 BPM | ||
Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 3, Silk Hat and Walking Cane | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | F Major | 1 | 7B | 140 BPM | ||
Concerto in F: 3. Allegro agitato | George Gershwin, Riccardo Chailly, Stefano Bollani, Gewandhausorchester | B♭ Major | 3 | 6B | 139 BPM | ||
Of Thee I Sing: Overture (Arr. D. Rose for Orchestra) | George Gershwin, Michael Tilson Thomas, Buffalo Philharmonic, Buffalo Philharmonic Orchestra | G Minor | 2 | 6A | 95 BPM | ||
Concerto grosso No.1: 1. Prelude: Allegro energico e pesante | Ernest Bloch, Eastman-Rochester Orchestra, Howard Hanson | B♭ Major | 3 | 6B | 129 BPM | ||
A Shropshire Lad (Rhapsody for Orchestra) | George Butterworth, Neville Dilkes, English Sinfonia | F Minor | 1 | 4A | 87 BPM | ||
Carmina Burana / 1. Primo vere: "Omnia Sol temperat" | Carl Orff, John Shirley-Quirk, Royal Philharmonic Orchestra, Antal Doráti | G Minor | 0 | 6A | 95 BPM |