"Of Thee I Sing: Overture (Arr. D. Rose for Orchestra)" by George Gershwin, Michael Tilson Thomas, Buffalo Philharmonic, Buffalo Philharmonic Orchestra was released on 1976. With this song being about 5 minutes long, at 4:35, "Of Thee I Sing: Overture (Arr. D. Rose for Orchestra)" by George Gershwin, Michael Tilson Thomas, Buffalo Philharmonic, Buffalo Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Gershwin, Michael Tilson Thomas's "Michael Tilson Thomas Conducts Gershwin" album is number 7 out of 90. In terms of popularity, Of Thee I Sing: Overture (Arr. D. Rose for Orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Of Thee I Sing: Overture (Arr. D. Rose for Orchestra) by George Gershwin, Michael Tilson Thomas, Buffalo Philharmonic, Buffalo Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Porgy and Bess (arr. J. Heifetz for violin and piano): I. Summertime - A Woman is a Sometime Thing | Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall | G Major | 2 | 9B | 65 BPM | ||
Trumpet Concerto in E-Flat Major, S. 49: III. Rondo. Allegro | Johann Nepomuk Hummel, Wynton Marsalis, Raymond Leppard, National Philharmonic Orchestra | E♭ Major | 3 | 5B | 148 BPM | ||
La mer, L. 109: No. 2, Jeux de vagues | Claude Debussy, Michael Tilson Thomas | D♭ Major | 2 | 3B | 81 BPM | ||
Rosalie: How Long Has This Been Going On? | Peter Breiner, Juray Bartos, George Gershwin | C Major | 1 | 8B | 63 BPM | ||
Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 79 BPM | ||
Otto e mezzo - Suite: 1. Titoli | Nino Rota, Filarmonica della Scala, Riccardo Chailly | E Major | 2 | 12B | 138 BPM | ||
Starlight | Angela Morley, Robert Farnon, The Danish State Radio Orchestra | C Major | 3 | 8B | 115 BPM | ||
March Of The Swiss Soldiers | Nelson Riddle | B♭ Major | 3 | 6B | 117 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": IV. Maestoso - Allegro | Camille Saint-Saëns, Charles Münch, Boston Symphony Orchestra | C Major | 4 | 8B | 104 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Van Cliburn, Kirill Kondrashin | B♭ Minor | 2 | 3A | 149 BPM |