Ernest Bloch, Eastman-Rochester Orchestra, Howard Hanson's 'Concerto grosso No.1: 1. Prelude: Allegro energico e pesante' came out on May 14, 1991. The duration of Concerto grosso No.1: 1. Prelude: Allegro energico e pesante is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Concerto grosso No.1: 1. Prelude: Allegro energico e pesante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 9 in Bloch: Concerto Grosso No. 1 & No. 2/Schelomo by Ernest Bloch, Eastman-Rochester Orchestra, Howard Hanson, Georges Miquelle. Based on our statistics, Concerto grosso No.1: 1. Prelude: Allegro energico e pesante's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto grosso No.1: 1. Prelude: Allegro energico e pesante by Ernest Bloch, Eastman-Rochester Orchestra, Howard Hanson is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro | Dmitri Shostakovich, Valery Gergiev, Munich Philharmonic Orchestra | E♭ Major | 3 | 5B | 132 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Piano Concerto in A Minor, Op.16: III. Allegro moderato molto e marcato | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | F Major | 2 | 7B | 114 BPM | ||
Pictures At An Exhibition: Cum mortuis in lingua mortua | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 102 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 1. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 113 BPM | ||
Variations on "God Save The King" for Solo Violin, Op. 9 | Niccolò Paganini, Roman Kim | G Major | 2 | 9B | 99 BPM | ||
Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Yo-Yo Ma, Emanuel Ax | E♭ Major | 0 | 5B | 85 BPM | ||
Horn Concertino in E Minor, Op. 45, J. 188: III. Polacca | Carl Maria von Weber, Czech Philharmonic Orchestra, Václav Neumann, Zdeněk Tylšar | E Major | 1 | 12B | 109 BPM | ||
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
Concerto for Double Bass and Orchestra: I. Allegro | Serge Koussevitzky, Gary Karr, Alfredo Antonini, Oslo Philharmonic Orchestra | F♯ Minor | 1 | 11A | 109 BPM |