Gaetano Donizetti, Luisa Mandelli, Hilde Gueden, Giuseppe Di Stefano, Fernando Corena, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli's 'L'elisir d'amore / Act 2: "Dell' elisir mirabile"' had a release date set for January 1, 1955. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 29 in Donizetti: L'Elisir d'Amore by Gaetano Donizetti, Hilde Gueden, Giuseppe Di Stefano, Renato Capecchi, Fernando Corena, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli. L'elisir d'amore / Act 2: "Dell' elisir mirabile" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of L'elisir d'amore / Act 2: "Dell' elisir mirabile" by Gaetano Donizetti, Luisa Mandelli, Hilde Gueden, Giuseppe Di Stefano, Fernando Corena, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Il Bacio | Luigi Arditi, Olga Peretyatko, Enrique Mazzola | D Major | 1 | 10B | 96 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM | ||
Lucia di Lammermoor (1997 Digital Remaster): Qui di sposa eterna fede...Ah, soltanto il nostro foco | Gaetano Donizetti, Giuseppe Di Stefano, Herbert von Karajan, RIAS Sinfonie-Orchester Berlin | B♭ Major | 2 | 6B | 83 BPM | ||
Manon: "En fermant les yeux" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | D Major | 1 | 10B | 82 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Carmen, WD 31 / Act 1: Bizet: Carmen, WD 31: Près des remparts de Séville | Georges Bizet, Gaëlle Arquez, Orchestre National Bordeaux Aquitaine, Paul Daniel | D Major | 0 | 10B | 175 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Don Giovanni, K.527 / Act 1: "Madamina, il catalogo è questo" | Wolfgang Amadeus Mozart, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado | D Major | 2 | 10B | 90 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM |