"Il Bacio" by Luigi Arditi, Olga Peretyatko, Enrique Mazzola was released on August 19, 2013. With this song being about 5 minutes long, at 4:35, "Il Bacio" by Luigi Arditi, Olga Peretyatko, Enrique Mazzola is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 13 in Arabesque by Olga Peretyatko. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Il Bacio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il Bacio by Luigi Arditi, Olga Peretyatko, Enrique Mazzola is Andante (at a walking pace), since this song has a tempo of 96 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
Semiramide: Bel raggio lusinghier | Gioachino Rossini, Olga Peretyatko, Alberto Zedda, Orchestra del Teatro Comunale di Bologna | D Major | 1 | 10B | 117 BPM | ||
Die Entführung aus dem Serail, K. 384: Welcher Wechsel herrscht in meiner Seele | Wolfgang Amadeus Mozart, Olga Peretyatko, Ivor Bolton | F Major | 1 | 7B | 120 BPM | ||
Turandot / Act 1: "Gira la cote!" | Giacomo Puccini, John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | F♯ Major | 0 | 2B | 74 BPM | ||
El Amor brujo: II. Canción del Amor Dolido | Manuel de Falla, Orchestre national d'île-de-France, Enrique Mazzola, Esperanza Fernández | C Major | 2 | 8B | 75 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
Tosca / Act I: "Ah! Finalmente!" | Giacomo Puccini, José Carreras, Gottfried Hornik, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 134 BPM | ||
Rachel, quand du Seigneur (La Juive) | Richard Tucker, The Columbia Opera Orchestra | F Minor | 2 | 4A | 92 BPM | ||
Ilma (Arr. for Harp & Piano by John Thomas) | Luigi Arditi, Duo Praxedis | G Major | 1 | 9B | 75 BPM | ||
Antigona: Io resto sempre a piangere | Tommaso Traetta, Olga Peretyatko, Ivor Bolton | F Major | 1 | 7B | 120 BPM |