"Stabat Mater: No. 10, Sancta Mater. Andante moderato (Alto Solo)" by Alessandro Scarlatti, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini was released on 2000. The duration of Stabat Mater: No. 10, Sancta Mater. Andante moderato (Alto Solo) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Stabat Mater: No. 10, Sancta Mater. Andante moderato (Alto Solo)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Pergolesi and Scarlatti: Stabat Mater". In this album, this song's track order is #22. In terms of popularity, Stabat Mater: No. 10, Sancta Mater. Andante moderato (Alto Solo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: No. 10, Sancta Mater. Andante moderato (Alto Solo) by Alessandro Scarlatti, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini having a テンポ of 116 with a half-time of 58 テンポ and a double-time of 232 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Il Trionfo dell'Innocenza: "Vanne pentita a piangere" | Antonio Caldara, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | A Major | 0 | 11B | 80 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 78 BPM | ||
Sinfonia No. 10 in C Major: II. Andante | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 110 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): I. Largo andante | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 96 BPM | ||
Griselda, Op. 114, Atto Primo, Scena 13: Recitativo. Come! Tu nella reggia (Gualtiero, Griselda) | Alessandro Scarlatti, Lawrence Zazzo, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs | F♯ Major | 1 | 2B | 92 BPM | ||
Concerto grosso No. 4 in D Major, Op. 6: I. Adagio - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Flavio Losco | D♭ Major | 3 | 3B | 136 BPM |