Alessandro Scarlatti, Lawrence Zazzo, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs's 'Griselda, Op. 114, Atto Primo, Scena 13: Recitativo. Come! Tu nella reggia (Gualtiero, Griselda)' came out on 2003. The duration of Griselda, Op. 114, Atto Primo, Scena 13: Recitativo. Come! Tu nella reggia (Gualtiero, Griselda) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Griselda, Op. 114, Atto Primo, Scena 13: Recitativo. Come! Tu nella reggia (Gualtiero, Griselda)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 62 in the song's album "Scarlatti: Griselda, Op. 114". In this album, this song's track order is #19. Furthermore, we believe that the track originated from France. In terms of popularity, Griselda, Op. 114, Atto Primo, Scena 13: Recitativo. Come! Tu nella reggia (Gualtiero, Griselda) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Griselda, Op. 114, Atto Primo, Scena 13: Recitativo. Come! Tu nella reggia (Gualtiero, Griselda) by Alessandro Scarlatti, Lawrence Zazzo, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 1. Largo | Charles Avison, The English Concert, Trevor Pinnock | B Major | 1 | 1B | 143 BPM | ||
Mentre un Zeffiro arguto, H. 421: Sinfonia. Grave - Allegro | Alessandro Scarlatti, Quartetto Vanvitelli | E♭ Minor | 1 | 2A | 109 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Das listige Bauernmädchen: No. 12, — | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 7: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 133 BPM | ||
Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 3. Sinfonia - Aria - Voice | Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's | D Major | 2 | 10B | 94 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
Concerto for Violin No. 1 in D Minor, BWV 1052: I. Allegro | Johann Sebastian Bach, Gli Incogniti, Amandine Beyer | D♭ Minor | 4 | 12A | 113 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM |