Имре Кальман, Татьяна Шмыга, Andrei Mironov, Юрий Силантьев, Эстрадно-симфонический оркестр Всесоюзного радио и Центрального телевидения made "Баядера, действие II: Дуэт Мариэтты и Наполеона" available on January 1, 1973. The duration of Баядера, действие II: Дуэт Мариэтты и Наполеона is about 3 minutes long, at 3:19. Based on our data, "Баядера, действие II: Дуэт Мариэтты и Наполеона" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in Имре Кальман: Баядера, so we believe that "Баядера, действие II: Дуэт Мариэтты и Наполеона" is a single. Баядера, действие II: Дуэт Мариэтты и Наполеона is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Баядера, действие II: Дуэт Мариэтты и Наполеона by Имре Кальман, Татьяна Шмыга, Andrei Mironov, Юрий Силантьев, Эстрадно-симфонический оркестр Всесоюзного радио и Центрального телевидения is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
Puccini: Tosca, Act 1: "Mario! Mario! Mario! Son qui!" (Tosca, Cavaradossi) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: I see not those false spirits | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Le charme Op. 2 N°2 | Ernest Chausson, Susan Manoff, Sandrine Piau | G Major | 0 | 9B | 93 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
4. Fare thee well, attractive stranger | Arthur Sullivan, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 78 BPM | ||
Le nozze di Figaro, K. 492, Act II: Voi che sapete - Sung in German / Remastered 2024 | Wolfgang Amadeus Mozart, Lisa della Casa, Orchestre de la Suisse Romande, Victor Reinshagen | B♭ Major | 1 | 6B | 96 BPM | ||
Spontini: Agnes von Hohenstaufen: "Der Strom wälzt ruhig seine dunklen Wogen" (Heinrich) | Gaspare Spontini, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Le Villi: Act I - Non esser, Anna mia, mesta sì tanto... Tu dell'infanzia mia | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | G Minor | 2 | 6A | 127 BPM |