"Le Villi: Act I - Non esser, Anna mia, mesta sì tanto... Tu dell'infanzia mia" by Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra was released on 1980. With this song being about 5 minutes long, at 5:27, "Le Villi: Act I - Non esser, Anna mia, mesta sì tanto... Tu dell'infanzia mia" by Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Puccini: Le Villi". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Le Villi: Act I - Non esser, Anna mia, mesta sì tanto... Tu dell'infanzia mia's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Villi: Act I - Non esser, Anna mia, mesta sì tanto... Tu dell'infanzia mia by Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra having a テンポ of 127 with a half-time of 64 テンポ and a double-time of 254 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mascagni: Cavalleria rusticana: Intermezzo sinfonico (Andante sostenuto) | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F Major | 1 | 7B | 85 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
E lucevan le stelle (da "Tosca") | Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Ramón Vargas, Federico Paciotti | D♭ Major | 6 | 3B | 83 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Bimba dagli occhi pieni di malìa | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | D Major | 6 | 10B | 107 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
La Gioconda / Act 3: Dance of the Hours | Amilcare Ponchielli, National Philharmonic Orchestra, Bruno Bartoletti | E Major | 1 | 12B | 101 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
Cavalleria rusticana: Act I: Regina coeli, laetare - Alleluja! | Pietro Mascagni, Renata Scotto, Jean Kraft, James Levine | G Major | 2 | 9B | 84 BPM | ||
Les Contes d'Hoffmann: Barcarolle | Jacques Offenbach, Valery Gergiev, Wiener Philharmoniker | D Major | 0 | 10B | 79 BPM | ||
Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM |