"Mass in F Major, Op. 190: VI. Agnus Dei" by Josef Rheinberger, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson was released on March 1, 2011. The duration of Mass in F Major, Op. 190: VI. Agnus Dei is about 3 minutes long, at 3:06. Based on our data, "Mass in F Major, Op. 190: VI. Agnus Dei" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Josef Rheinberger, Gloriae Dei Cantores, Elizabeth C. Patterson's "Josef Gabriel Rheinberger: Motets, Masses & Hymns" album is number 9 out of 22. On top of that, United States appears to be the country where this track was created. Based on our statistics, Mass in F Major, Op. 190: VI. Agnus Dei's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in F Major, Op. 190: VI. Agnus Dei by Josef Rheinberger, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson to be Allegro (fast, quick, and bright) because the track has a tempo of 126 テンポ, a half-time of 63テンポ, and a double-time of 252 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Locus iste | Anton Bruckner, Choir of St. John's College, Cambridge, Andrew Nethsingha | B Minor | 1 | 10A | 137 BPM | ||
Josquin: Missa Gaudeamus - 05. Qui Tollis Peccata Mundi, Miserere | The Tallis Scholars, Peter Phillips | A♭ Minor | 1 | 1A | 83 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
Messe brève No. 7: V. Agnus Dei | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | G Major | 6 | 9B | 128 BPM | ||
Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile (Arr. H. Villa-Lobos for Choir) | Ludwig van Beethoven, Orquestra Sinfônica Do Estado De São Paulo, Valentina Peleggi | D Minor | 0 | 7A | 73 BPM | ||
Beati quorum via | Charles Villiers Stanford, The Sixteen, Harry Christophers | A♭ Major | 1 | 4B | 133 BPM | ||
Romanzen, Book 1, Op. 69: No. 6. Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | B Major | 0 | 1B | 83 BPM | ||
Nachtlied, Op. 138, No. 3 | Max Reger, Windsbacher Knabenchor, Martin Lehmann | B Minor | 0 | 10A | 69 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM |