"Josquin: Missa Gaudeamus - 05. Qui Tollis Peccata Mundi, Miserere" by The Tallis Scholars, Peter Phillips was released on November 2, 2018. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Tallis Scholars, Peter Phillips's "Josquin Des Prez - Missa Gaudeamus & Missa L'ami Baudichon" album is number 6 out of 36. Josquin: Missa Gaudeamus - 05. Qui Tollis Peccata Mundi, Miserere is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Josquin: Missa Gaudeamus - 05. Qui Tollis Peccata Mundi, Miserere by The Tallis Scholars, Peter Phillips to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere: Songs of Mercy and Redemption: 6. Hymnus: When I survey the wondrous cross | Karl Jenkins, Stephen Layton, Polyphony, Britten Sinfonia, Catrin Finch, Jody Jenkins | F Major | 1 | 7B | 129 BPM | ||
Adiemus - Songs Of Sanctuary: Ave Maria | Karl Jenkins, Polyphony, Stephen Layton | C Major | 0 | 8B | 91 BPM | ||
Tallis: Salvator Mundi, Salva Nos II | The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 81 BPM | ||
Requiem: Salvator mundi | Herbert Howells, Choir of St. John's College, Cambridge, Christopher Robinson | G Major | 0 | 9B | 139 BPM | ||
3 Latin Motets, Op. 38: III. Beati quorum via | Charles Villiers Stanford, The Choir Of Trinity College, Cambridge, Stephen Layton | A♭ Major | 1 | 4B | 83 BPM | ||
Quatre petites prières de Saint François d’ Assise: IV. O mes très chers frères | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
SEQUENCE: O Ecclesia | Hildegard von Bingen, Anonymous 4 | B♭ Minor | 0 | 3A | 128 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
A vous, douce debonnaire (Rondeau) W! | Jehan de Lescurel, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 0 | 3B | 136 BPM | ||
He carried me away in the spirit | James Whitbourn, Commotio, Matthew Berry | D♭ Minor | 0 | 12A | 73 BPM |