"SEQUENCE: O Ecclesia" by Hildegard von Bingen, Anonymous 4 was released on 1997. SEQUENCE: O Ecclesia appears to be safe for all ages as it is not explicit. The track order of this song in Anonymous 4's "Hildegard von Bingen: 11,000 Virgins - Chants for the Feast of St. Ursula" album is number 10 out of 18. Based on our statistics, SEQUENCE: O Ecclesia's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of SEQUENCE: O Ecclesia by Hildegard von Bingen, Anonymous 4 to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lagrime di San Pietro: V. Giovane donna il suo bel volto in specchio | Orlande de Lassus, Gallicantus, Gabriel Crouch | G Minor | 1 | 6A | 66 BPM | ||
Missa, "Myn herte heeft altyt verlanghen": Missa Myn hert: Kyrie | Mathieu Gascongne, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 100 BPM | ||
Binchois: Amours mercy de trespout non pooir | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | D♭ Minor | 1 | 12A | 88 BPM | ||
Introitus, Os Iusti Meditabitur | Choir of Beirut | D Major | 1 | 10B | 109 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Give us the wings of faith | James Whitbourn, Westminster Williamson Voices, Ken Cowan, James Jordan | A Minor | 2 | 8A | 85 BPM | ||
Allegri: Miserere - 02. Amplius lava me | Gregorio Allegri, Peter Phillips, The Tallis Scholars | G Major | 0 | 9B | 75 BPM | ||
Blessed Is The Man Who Seeks No Councel Among The Impious | "The Orthodox Singers" Male Choir, Georgiy Smirnov | F Major | 0 | 7B | 127 BPM | ||
Pax in nomine domini! | Marcabru, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 170 BPM | ||
Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM |