"Innsbruck, ich muss dich lassen" by Heinrich Isaac, Capilla Flamenca was released on April 13, 2000. With this song being about 5 minutes long, at 4:46, "Innsbruck, ich muss dich lassen" by Heinrich Isaac, Capilla Flamenca is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "Oh Flanders Free: Music of the Flemish Renaissance". In this album, this song's track order is #12. In terms of popularity, Innsbruck, ich muss dich lassen is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Innsbruck, ich muss dich lassen by Heinrich Isaac, Capilla Flamenca having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Quatre petites prières de Saint François d’ Assise: III. Seigneur, je vous en prie | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM | ||
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
Ecco la primavera | Francesco Landini, Early Music Consort Of London, David Munrow | D Minor | 4 | 7A | 177 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Can vei la lauzeta mover | Bernat De Ventadorn, Millenarium | D Major | 1 | 10B | 185 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Mit Fried und Freud ich fahr dahin, BuxWV 76 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
J'ayme trop mieux souffrir la mort | Guillaume Costeley, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Marco Horvath, Le Poème Harmonique, Vincent Dumestre | C Major | 0 | 8B | 80 BPM |