Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig's 'Messe brève No. 7: V. Agnus Dei' came out on January 1, 2005. The duration of Messe brève No. 7: V. Agnus Dei is about 3 minutes long, at 3:02. Based on our data, "Messe brève No. 7: V. Agnus Dei" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 25 in Charles Gounod: Musica sacra by Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Messe brève No. 7: V. Agnus Dei's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Messe brève No. 7: V. Agnus Dei by Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
Mariengarten, S. 62 | Franz Liszt, Sebastian Borleis, Kammerchor I Vocalisti, Hans-Joachim Lustig | G Major | 1 | 9B | 69 BPM | ||
Ave Maria, WAB 6 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
O Theotokos and Virgin, Rejoice | Kiev Chamber Choir | F♯ Major | 2 | 2B | 83 BPM | ||
Magnificat in B-Flat Major | Sir Charles Villiers Stanford, Truro Cathedral Choir, Simon Morley, Andrew Nethsingha | A Major | 0 | 11B | 77 BPM | ||
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | ||
Nunc Dimittis in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | F Minor | 9 | 4A | 140 BPM | ||
Brewer: Nunc Dimittis in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 135 BPM | ||
Polydorus, GraunWV B:I:3, Act I Scene 6: Mich sucht der Götter Rache | Carl Heinrich Graun, Mirko Ludwig, Barockwerk Hamburg, Ira Hochman | D♭ Minor | 0 | 12A | 108 BPM | ||
Ola Gjeilo: Tota pulchra es | Ola Gjeilo, Schola Cantorum, Tone Bianca Sparre Dahl | E Major | 1 | 12B | 131 BPM |