"Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile (Arr. H. Villa-Lobos for Choir)" by Ludwig van Beethoven, Orquestra Sinfônica Do Estado De São Paulo, Valentina Peleggi was released on January 29, 2021. With Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile (Arr. H. Villa-Lobos for Choir) being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Villa-Lobos: Choral Transcriptions by Orquestra Sinfônica Do Estado De São Paulo, Valentina Peleggi. The song's track number on the album is #14 out of 15 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile (Arr. H. Villa-Lobos for Choir) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile (Arr. H. Villa-Lobos for Choir) by Ludwig van Beethoven, Orquestra Sinfônica Do Estado De São Paulo, Valentina Peleggi has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile (Arr. H. Villa-Lobos for Choir) being at 73 テンポ, the half-time would be 36 テンポ with a double-time of 146 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile | Sergei Rachmaninoff, Gautier Capuçon, Gabriela Montero | D♭ Major | 0 | 3B | 84 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
Norma, Act I: Casta Diva (Arr. for Cello & Orchestra by Jan Vogler) - Radio Edit | Vincenzo Bellini, Jan Vogler, BBC Philharmonic, Omer Meir Wellber | D Major | 5 | 10B | 140 BPM | ||
Chôro for Piano & Orchestra: I. Cômodo | Camargo Guarnieri, Olga Kopylova, Orquestra Sinfônica Do Estado De São Paulo, Roberto Tibiriçá | G Major | 3 | 9B | 111 BPM | ||
Música callada, Book 1: No. 1, Angelico | Federico Mompou, Lilit Grigoryan | A Minor | 0 | 8A | 67 BPM | ||
Ombra mai fu (Handel's Largo) | George Frideric Handel, London Symphony Orchestra, Philip Gibson | E♭ Major | 1 | 5B | 95 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
3 Gymnopedies (Arr. For Flute And Harp): Gymnopedie No. 1 (Arr. For Flute And Harp) | Nora Shulman, Judy Loman, Erik Satie, Donald Sosin | G Major | 1 | 9B | 69 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM |