Georges Bizet, Katia Labèque, Marielle Labèque's 'Jeux d'enfants, Op. 22 WD 56: 3. La poupée' came out on June 10, 1987. The duration of Jeux d'enfants, Op. 22 WD 56: 3. La poupée is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Jeux d'enfants, Op. 22 WD 56: 3. La poupée's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 23 in Bizet: Jeux d'enfants / Fauré: Dolly Suite / Ravel: Ma Mère l'oye by Katia Labèque, Marielle Labèque. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Jeux d'enfants, Op. 22 WD 56: 3. La poupée is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Jeux d'enfants, Op. 22 WD 56: 3. La poupée by Georges Bizet, Katia Labèque, Marielle Labèque is Larghetto (rather broadly), since this song has a tempo of 64 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Miscellanea, Op. 16: No. 4, Nocturne in B-Flat Major | Ignacy Jan Paderewski, Jenny Lin | B♭ Major | 0 | 6B | 61 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM |