"Lippen schweigen (From "Die lustige Witwe")" by Franz Lehár, Jonas Kaufmann, Rachel Willis-Sørensen, Ádám Fischer was released on October 11, 2019. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wien by Jonas Kaufmann, Ádám Fischer, Wiener Philharmoniker. The song's track number on the album is #11 out of 19 tracks. Based on our data, United States was the country where this track was produced or recorded. Lippen schweigen (From "Die lustige Witwe") is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lippen schweigen (From "Die lustige Witwe") by Franz Lehár, Jonas Kaufmann, Rachel Willis-Sørensen, Ádám Fischer has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lippen schweigen (From "Die lustige Witwe") being at 88 テンポ, the half-time would be 44 テンポ with a double-time of 176 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wer hat die Liebe uns ins Herz gesenkt | Anneliese Rothenberger | D Major | 3 | 10B | 106 BPM | ||
Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) | Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | D Minor | 2 | 7A | 94 BPM | ||
L'Africaine, Acte IV: "Pays merveilleux!... Ô paradis" | Giacomo Meyerbeer, Jonas Kaufmann, Bertrand de Billy | D♭ Major | 1 | 3B | 78 BPM | ||
Les Contes d'Hoffmann, Acte IV: "Ô Dieu, de quelle ivresse" | Jacques Offenbach, Jonas Kaufmann, Bertrand de Billy | B♭ Major | 2 | 6B | 75 BPM | ||
La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Mir ist so wunderbar | Ludwig van Beethoven, Rachel Harnisch, Nina Stemme, Christof Fischesser, Christoph Strehl, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Papagena! Papagena!" | Wolfgang Amadeus Mozart, Hanno Müller-Brachmann, Soloists of the Tölzer Knabenchor, Dorothea Röschmann, Mahler Chamber Orchestra, Claudio Abbado | G Major | 2 | 9B | 128 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Steuermann, laß die Wacht (Der fliegende Holländer: Matrosenchor, 3.Akt) - 1990 Remastered Version | Richard Wagner, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Robert Heger | G Major | 3 | 9B | 74 BPM |