Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato made "Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville)" available on October 18, 2022. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 75 in the song's album "Rossini: A Monument of Classics". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. In terms of popularity, Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) by Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Besame mucho - Live from the iTunes Festival | Consuelo Velázquez, Rolando Villazón, Bolivar Soloists | B♭ Minor | 5 | 3A | 96 BPM | ||
La morte d'Abel: Questi al cor finora ignoti | Antonio Caldara, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | A Minor | 1 | 8A | 95 BPM | ||
Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Major | 1 | 2B | 87 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Tchaikovsky: Eugene Onegin, Op. 24, Act II, Scene 2: Aria. "Kuda, kuda, kuda vy udalilis" (Lensky) | Pyotr Ilyich Tchaikovsky, Rolando Villazón, Munich Radio Orchestra, Michel Plasson | E Minor | 2 | 9A | 164 BPM | ||
Scena di Berenice, Hob. XXIVa:10: Recitativo "Berenice, che fai?" | Franz Joseph Haydn, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang | C Major | 1 | 8B | 82 BPM | ||
La Bohème / Act 1: "Sì. Mi chiamano Mimì" - Live | Giacomo Puccini, Anna Netrebko, Bavarian Radio Symphony Orchestra, Bertrand de Billy | C Minor | 1 | 5A | 61 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM |