Aureliano Pertile made "I Pagliacci, Aureliano Pertile: Act II- " O Colombina"" available on November 30, 2010. With I Pagliacci, Aureliano Pertile: Act II- " O Colombina" being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Opera for ever new additions". In this album, this song's track order is #25. I Pagliacci, Aureliano Pertile: Act II- " O Colombina" is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With I Pagliacci, Aureliano Pertile: Act II- " O Colombina" by Aureliano Pertile having a テンポ of 59 with a half-time of 30 テンポ and a double-time of 118 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! | Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | E Major | 3 | 12B | 125 BPM | ||
Salve Dioma Casta E Pura | Aureliano Pertile, Tito Schipa | G Major | 2 | 9B | 72 BPM | ||
Lucia di Lammermoor, Act II: Soffriva nel pianto | Gaetano Donizetti, Zuzana Markova, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | B♭ Major | 2 | 6B | 152 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Ô malheureuse Iphigénie !" (Iphigénie, Chœur) | Christoph Willibald Gluck, Georges Prêtre, Choeur René Duclos, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 67 BPM | ||
Il Trovatore, IGV 31, Act III: "Quale d'armi fragor poc'anzi intesi?" (Leonora, Manrico) | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Carlo Sabajno, Maria Carena, Aureliano Pertile | E Minor | 2 | 9A | 78 BPM | ||
Aida - Presago Il Cor | Miguel Fleta | D♭ Major | 2 | 3B | 65 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Couplets. "Eh quoi ! Monsieur, supposez-vous..." (Caroline, Alfred, Tourillon) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Michel Roux, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 1 | 9B | 80 BPM | ||
Il Trovatore, IGV 31, Act II: "Non son tuo figlio?" (Manrico, Azucena) | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Carlo Sabajno, Aureliano Pertile, Irene Minghini Cattaneo | C Minor | 2 | 5A | 99 BPM | ||
Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt | Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 1 | 7B | 94 BPM | ||
Africana: O Paradiso | Giacomo Meyerbeer, Aureliano Pertile | B♭ Minor | 2 | 3A | 131 BPM |