"Salve Dioma Casta E Pura" by Aureliano Pertile, Tito Schipa was released on April 28, 2022. The duration of Salve Dioma Casta E Pura is about 3 minutes long, at 3:10. Based on our data, "Salve Dioma Casta E Pura" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 9 in Audio Archive Classics Tito Schipa by Aureliano Pertile, Tito Schipa. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Salve Dioma Casta E Pura is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Salve Dioma Casta E Pura by Aureliano Pertile, Tito Schipa is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Primer Acte: Duet Canta-li sa Lliçó Clara | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | F Major | 1 | 7B | 101 BPM | ||
Les adieux de Marie Stuart, WWV 61 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Carmen, GB 9, IGB 16, Act I: "Mia madre io vedo ancor, sì, sì" (José, Micaela) | Georges Bizet, Orchestra Del Teatro Alla Scala, Milano, Lorenzo Molajoli, Aureliano Pertile, Ines Alfani Tellini | B♭ Minor | 2 | 3A | 131 BPM | ||
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM | ||
Die Kaiserin, Akt III: "'s Glück ist in der Näh'" | Leo Fall, Orchester des Kölner Rundfunks, Franz Marszalek, Anny Schlemm, Franz Fehringer, Willy Schneider, Gretl Schörg, Willy Hofmann, Paul Bürks, Annelie Jansen, Ursula Feldhege, Franz Wolf, Hans Remagen, Julius Gamon | F♯ Minor | 1 | 11A | 121 BPM | ||
‘Neath My Lattice Through the Night (The Rose of Persia): ‘Neath My Lattice Through the Night (The Rose of Persia) | Arthur Sullivan, Erin Morley, Gerald Martin Moore, Ransom Wilson | B Major | 1 | 1B | 117 BPM | ||
Le Comte Ory / Act 1: Introduction - "Jouvenelles, venez vite" | Gioachino Rossini, Bruno Pratico, Rosella Bevacqua, Marina de Liso, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
Offenbach: La vie parisienne, Act 1: Chœur. "À Paris, nous arrivons en masse" - "Je suis Brésilien, j'ai de l'or" (Gardefeu, Le Baron, La Baronne, Le Brésilien, Chœur) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 98 BPM | ||
La mia canzone al vento | Leo Nucci, Salotto Ottocento Ensemble | C Major | 2 | 8B | 120 BPM | ||
La Rosa del Azafrán: Canción del Sembrador | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM |