François Couperin, Andrew Appel made "L'art de toucher le clavecin: No. 1, Prelude in C Major" available on October 20, 2023. With L'art de toucher le clavecin: No. 1, Prelude in C Major being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 8 in Couperin: 8 Préludes from "L'art de toucher le clavecin" by François Couperin, Andrew Appel. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, L'art de toucher le clavecin: No. 1, Prelude in C Major is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of L'art de toucher le clavecin: No. 1, Prelude in C Major by François Couperin, Andrew Appel is Moderato (at a moderate speed), since this song has a tempo of 119 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata No. 15 in D Minor: Harpsichord Sonata No. 15 in D Minor | Antonio Soler, Gilbert Rowland | D♭ Minor | 5 | 12A | 111 BPM | ||
Concerts royaux, Quatriéme Concert: VII. Forlane Rondeau. Gayement | François Couperin, Musica ad Rhenum, Jed Wentz | D Major | 1 | 10B | 86 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata terza in G minor, Parte Prima: II. Vivace | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Time, Cruel Time | The Royal Wind Music | B Minor | 0 | 10A | 94 BPM | ||
Concert Royal No. 1 in G (Version for 2 Harpsichords): I. Prélude. Gravement | François Couperin, Pierre Gallon, Matthieu Boutineau | E♭ Major | 4 | 5B | 125 BPM | ||
6 Etudes, Op. 111: IIIb. Fugue. Moderato espressivo | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
Atys, LWV 53: Act III, Scene 4 Entrée des songes agréables | Jean-Baptiste Lully, Le Concert Tribuot, Laurent Beyhurst | F♯ Major | 3 | 2B | 109 BPM | ||
Aria and 6 Variations in G Minor, P.196: VII. Variatio 6 | Johann Pachelbel, Simone Stella | G Major | 2 | 9B | 197 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM |